This is show biz: “42nd Street” musical set for the AAHS stage – Altoona Mirror

Mirror photo by Patrick Waksmunski The cast of “Lullaby of Broadway” during practice for the Altoona Area Performing Arts Club performing “42nd Street”.

The AAHS Performing Arts Club will perform the classic song and musical “42nd Street” at 7 p.m. on April 13 in the auditorium.

The musical celebrates Broadway, the Square and the magic of show biz with salt, humor and pizzazz. At the height of the Great Depression, aspiring chorus girl Peggy Sawyer comes to the big city from Allentown, and soon lands her first big job on the glitzy grounds of a new Broadway show.

But opening the night, the leading lady breaks her ankle. Can Peggy step in and become a star? The score is chock full of Broadway classics, including “You’ll Have Me,” “The Ladies,” “We’re in the Money,” “Broadway Lullaby,” “Turning to Buffalo” and “Forty-Second Street.”

With almost 50 students onstage, in addition to some special teacher cameos, an entire student orchestra, and the same number of students involved on stage, designing and making all the sets, props and costumes, this show sweeps the audience off their feet. and into the golden age of Broadway.

The show is under the direction of Ben Cossitor, who said the students have been planning since mid-January.

Mirror photo by Patrick Waksmunski Ryan Longstreth, playing “The Fair Lady” directed by Julian Marsh, sings Keira Mayhue, playing Peggy Sawyer.

“But, before the sound work we started to dance,” he said. “Through the AASD foundation, we were able to have artist-in-residence, Anne Diminick, begin work on the sound of the choir with our kids back in September. There is a long way to go for this huge, over-the-top, performance show and it will be released next week.

Cossitor said students watched a production of “42nd Street” last May and were blown away.

“We got a lot of comments wondering how we were going to pull this off,” he said. “Now, almost a year later, they know that for hours of work we set up a giant, sewing hundreds of costumes, and rehearsing all the dances.”

The students have all learned and come this far, Cossitor said, and even though it’s exhausting at times, the excitement builds as the show gets closer.

The store has one after another white show, Cossitor said, and when they perform this classic song-and-dance from the 1930s, it will leave the audience roaring.

Mirror photo by Patrick Waksmunski Chorus performs “The Sunny Side of Every Situation.”

While he did not say exactly where everything will be used. The tailor said 80 pounds of glitter was purchased for the production.

Tickets, $5 for students and $10 for adults, are available at (plus processing fees) or in advance at the student store, in the ticket booth and at the door.


The cast includes Cameron Krause as Pat Denning, Garvin Harkins as Abner Dillon, Charles Dantos and Emily Pentland as Gypsy Tea Kettle Waiters, Rayne Schraff and Evan McGuire as thugs and Tyrese Hardison as the doctor.

“Pretty Lady” Performers: Angela Petrarch portrays Dorothy Brock; Keira Mayhue is Peggy Sawyer; Ethan Eisenhart is Billy Lawlor; Jane Fox is Ann Reilly; Laura Reed is Phyllis Dale; Karinna Wolfe is Lorraine Flemming; Claire Piper is Gladys; Jillian Pierannunzio is Diane Lorimer; Ava Rokosky is Ethel; Gracie Crider is Winnie; Rayne Schraff is Millie; and Skylar Rutherford is Robin.

Courtesy photo of students performing on “42nd Street” in the musical (from left): Talen Turiano, Christina Dicus, Ryan Longstreth, Keira Mayhue, Ethan Eisenhart, Karinna Wolfe, Laura Reed and Jane Fox.

“Pretty Lady” Production Team: Ryan Longstreth is Julian Marsh (director); Christina Dicus is Maggie Jones (writer); Talen Turiano is Bert Barry (writer); Emily Berkheimer is Andy Lee (choreographer); Owen Carmel Oscar (pianist); Eric Carlheim is Mac (stage manager); and Nick Stevenson is Frankie (stage hand). Stagehands also include Cara Bolvin, Tyrese Hardison, and Chloe Kessling

Finale Ballet: Claire Piper plays Rapina, while Charles Dantos is sad. The sailors are played by Paige Lamborno and Emily Pentland, and the 80 Ladies are Olivia Behe ​​and Selena Thompson; 50s Nifties are Ava Conrad and Lydia Miller; Elite are Cameron Krause, Rayne Schraff and Gracie Crider; The gangsters are Evan McGuire and Nick Stevenson; and Moll is played by Skylar Rutherford.

Tap Dancing Ensemble: Olivia Behe, Owen Carmel, Charles Dantos, Michaela Etters, Bella Getty, Alexandria Hamel, Camille Krug, Payge Lamborna, Evan McGuire, Lydia Miller, Madalyn Miller, Emily Pentland, Skylar Rutherford and Selena Thompson.

Chorus Ensemble: Gabrielle Beldin, Cara Bolvin, Ava Conrad, Gracie Crider, Tyrese Hardison, Chloe Kessling, Cameron Krause, Kaya Reed, Vanessa Romanus, Gabby Ross, Sofia Saracoglu, Rayne Schraff, Alyssa Stetser, Nick Stevenson, Laila Wilkinson and Sophia Wise .

Ensemble Masters: Dave Borst, Jess Connell, Robyn Dixon, Alyssa Hetrick, Jess Hogan, Carolyn Kline, Jim Krug, Megan Leone, Caleb Marasco, Amy Martin, Paige Matteson, Heather Tippett-Wertz, and Jacob Wilt.

Pit Orchestra

Flute/Piccolo, Jennah Nusom and Rachel Kennedy; Clarinet, Emma Feigh; saxophone, Noah Hillard, Julia McCauley, Julia Kline, Alex Swalga and Seth Goheen; Frenchhorn, James Horell; Trumpet, Austin Parker, Mackenzie Colabove and Blake Riddle; trombone, JJ Steinbugl and Michael Woolford; bass twin, Andrew Sacket; keyboard, Jack Kuhns; Percussion, Reece Myers.


Student director, Dylan Gallo; stage actors, Emeline Feather and Alayna Huss; assistant stage managers, Dustin Baughman and Eli Rosenberry; student choreographers, Claire Piper and Emily Berkheimer; They organized the construction, Brendan Aikens, Nahjay Hardy, Savannah Huss, Konnor Johnston, Parcel Jones, Lucie Jones, Arrow Kelly, Daniel Kelley, and Joshua Miller.

Sixth period fall by design class: Isabella Hewitt, Brendan Holtslander, Camryn MacAlarney, Wyatt McDonough, Caitlynn Pasquini, James Robbins, Alexander Ross, Rayne Schraff, Connor Smith, Nathanael Steinbeiser and Carmen Stevanus.

Engineering physics class: Austin Burk, Allison Keirn and Connor Smith.

Picture: Carmen Stevanus and Stayley Drenning (design); Jackie Dalton, Emma Lunglhofer, Rebecca Matous and Mary Worley.

Props: Zackary Bridges, Kalissa Geist, Taylin Geist, Ethan Peterman, Damian Swan and Nyah Hughes-Thaxton.

Costumes: Alexandria Hamel (design), Cider Ayala, Michaela Etters, Sophia Feigh, Bella Getty, Serenity McLaughlin, Alaina Noel, Ava Rokosky and Julia Schmitt.

Hair/Makeup: Lakin Coley and Alexandria Hamel.

Stage cast: Lily Adams, Cider Ayala, Stayley Drenning, Sophia Feigh, Sadie Hamilton, Joshua Miller, Alaina Noel, Ellie Oster, Avery Reimer, Carmen Stevanus and Aiden Troutman.

Lights: Joshua Miller, Cassidy Clark, Alexis Fraundorfer and Emma Lunglhofer.

Sound: Attison Batten and Rowan McCusker.

Public/passing: Ava Cabell.

Adult Staff

Director, Ben Cook; assistant director/choreographer Michael Dugan; co-choreographer, Anne Diminick; music director, Bryce Cossitor; county clerk, Susan Cossitor; pit orchestra directed by Kelly Detwiler; technical director, Dave Borst; scenic design, Steve Smith; set painting/construction, Dave Borst, Courtney Getty, Caleb Marasco, Jenifer Dublois, Amanda Kessling, Heather Miller and Matthew Miller.

Volunteers make up the day: Parker Cook, Jim Dugan, Jim Krug, Gavin Lamborn, Lori Longstreth, Sue Wenzel and Jacob Wilt.

Costume/makeup design, Karen Hamel; costume construction by Stephanie Vanderlin, Kim Etters, Casey Hamel, Jennifer McCauley and Heather Miller; hair and bald, Bill Amrhein, Barb Burns and Paige Matteson.

Prop design, Jenelle Lockard and Lucy Craig; program/poster design, Nancy Wonderly; headshots and production photos, Chuck Meyers (Two 20 Studios); box office / messenger coordinator, Lucy Craig and Kim Shope.

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Ava Grey

Hi there! I'm Ava Grey, an enthusiastic article writer with a passion for the arts, fashion, and staying informed about current events. As a journalism student at the New York Academy of Art, I'm driven to use my writing to create positive change and spark meaningful conversations. I'm particularly interested in contemporary art and sustainable fashion, and I love exploring how people use these mediums to express themselves and communicate their values. I believe that staying informed and hearing different perspectives is essential for personal growth and learning, and I'm always eager to engage in lively debates and discussions.

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